On the table
DOI:
https://doi.org/10.64197/REIA.03.45Keywords:
Arquitectura, ArteAbstract
We appreciate on the domestic paintings of Giorgio Morandi the nearby power of closeness and the sublime aim of symbolism. His creations are direct and acute, between intuition and intuition and intelligence, at the same time concrete and abstract. As well as great artists, r architects, the painter worked with simplicity in appearance the line that join objects and symbols, a figured reality or an abstract one. In his still lives it is possible to show the paradoxical dimension of his pictures and display an essay about the world or creation.Downloads
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Published
2015-01-01
How to Cite
Martínez García-Posada, Ángel. (2015). On the table. REIA - European Journal of Architectural Research, (03). https://doi.org/10.64197/REIA.03.45
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Artículos