No. 20 (2022)

Published: 2022-01-01

Artículos

  • El tiempo detenido. The bibliographical and documentary collection of the architect Mariano Estanga y Arias-Girón during his time as a student at the School of Madrid (1889-1900)

    Eduardo Zalba González
    DOI: https://doi.org/10.64197/REIA.20.365

  • From the city to the cell. Universidad Laboral de Toledo (1971-1977)

    Josefa Blanco de Paz, María Dolores Sánchez Moya, José Ramón González de la Cal
    DOI: https://doi.org/10.64197/REIA.20.366

  • Aino Marsio Aalto and the modern furniture: "Let´s think about it"

    Aurora Fernández Rodríguez
    DOI: https://doi.org/10.64197/REIA.20.367

  • Grifé & Escoda Chair

    Pablo Fernández Díaz-Fierros
    DOI: https://doi.org/10.64197/REIA.20.368

  • Informalism and matter of Fernando Higueras in the 70s: La Macarrona

    Joaquín Morán Díaz, Javier Francisco Raposo Grau
    DOI: https://doi.org/10.64197/REIA.20.369

  • The poetics of image: Drawing and architectural creativity

    Francisco Martín-San Cristóbal, Flavio Celis Damico, Patricia Domínguez Gómez
    DOI: https://doi.org/10.64197/REIA.20.370

  • Walter Bird and the first pneumatic constructions

    Isabel Collado Baíllo
    DOI: https://doi.org/10.64197/REIA.20.371

  • Art, City and Informality in Contemporary Hanoi

    Francisco García Moro
    DOI: https://doi.org/10.64197/REIA.20.372

  • Open.ended narrative as a performative design strategy in Toyo Ito's architecture

    Sara Galante de Cal
    DOI: https://doi.org/10.64197/REIA.20.373

  • Ramón Vázquez Molezún. Absence and presence. Integration of the plastic arts in the architectural projects for the members of MoGaMo

    Nicolás Martín Domínguez
    DOI: https://doi.org/10.64197/REIA.20.374