The scale idea on Chillida

Abstract

Chillida sculpture has always been subjected to a scalar process in the design and production of its pieces, which approximates the architectural production process. He was always interested in the fate that will run “aromas” in changing scale. From the commentary that makes you Giacometti your question, and the passage referred by different materials in his work, such as wood Abesti Gogorra granite, or the Monument to Tolerance steel, gypsum and concrete, or Praise of the Horizon that follows the fate of materials. I conclude with Mendi Hutz prelude to his posthumous work, and most representative of change scale, Tindaya.