Junk, tatters and scabs. Architecture of the limit in Venice

Abstract

As if it were a watercolor gouache, the Venetian landscape full of darkness, walls blurred, chipped and traces of water forces our senses to increase their capacity for reception just when our body makes contact with this territory. Pushed by the will of contemplation we raise the thin veil that we intuit along the Lagoon to find an architecture of crusts that is interspersed between the layers of the visible. Among them the memory of this territory reveals us, the power of the limit, while it helps us to venture into the more diffuse confines of beauty