Untitled-Unlimited. UNLANDSCAPE*. The Undefined Landscape

Abstract

The exploration of the limits, interstitial spaces, boundaries between architecture, art and landscape, about border practices that have been developed over the last century, leads us to rethink the idea of limit. It is proposed a journey through the dimensions of limits; from the primitive dimension, through the negative, positive, expanded dimensions, and finally giving rise to reflect on the undefined or hiperdefined dimension as a way of understanding our complex reality in which we live. The limit as part of a –Continuum–, as a space in which the bordering arts (E. Trias) are deployed, the limit, as a limes (E. Trías), as a changeable, mutable place, located between barbarism and civilization, between culture and nature. The “Bordering aesthetics” (E.Trías) rise to a new art that denied formalism and conceptualism from the past to achieve an expanded vision of their own categories. To understand and to propose new ways of projecting from a border perspective, it is proposed a journey through the dimensions of limits.