blúblú Precision: Postcapitalist Architecture between Affective Fantasy, Technical Error, and Radical Enunciation

Abstract

This article proposes a post-capitalist architecture that merges technical precision with affective speculation, aesthetic disobedience, and radical enunciation. In response to the enclosure of architectural realism— understood as a disciplinary translation of capitalist (Fisher) and domestic (Hester) realism—it offers a set of projective strategies to imagine what has yet to be named or formed. Through the tactical use of tools such as historical decontextualization, graphic reappropriation, technical error, digital glitch, and generative artificial intelligence, it articulates a methodology not aimed at efficiency or consensus, but at desire, contradiction, and discomfort. Architecture is conceived here as language, montage, and political act: capable of producing scenes, bodies, and affects that escape capitalist capture. “Precisión blúblúblú” synthesizes this stance: to project the unintelligible with rigor, to build from delirium, to plan with tenderness. An architecture that does not respond to normative demands, but proposes inhabitable fictions where imagination remains a form of resistance.